max abelson's super groovy music video spectacular

1960s on mon
1970s on tues
1980s on wed
1990s on thurs
2000s on fri


featuring the fine musical stylings of: the beatles, the rolling stones, serge gainsbourg, yo la tengo, the kinks, harry nilsson, ike & tina turner, antony, aretha franklin, wilco, elvis, talking heads, stephen foster, dr. dre, bonnie 'prince' billy, elvis c., neil young, the smiths, dusty springfield, al green, jimi hendrix, r.e.m., ray charles, belle & sebastian, randy newman, cat power, the cure, queen & pavement


i write for the observer, email me at mabelson at observer.com


"mtv makes me want to smoke crack." -beck


see the archives, or a random post.


"i just happen to be here, and it's okay." -caetano veloso


"it took me about three or four weeks to toilet train my cat, nightlife. most of the time is spent moving the box very gradually to the bathroom. do it very slowly and don't confuse him." -charles mingus


"sing a simple song but keep the swing strong." -de la soul


"his wife was a spent piece of used jet trash, made good bloody marys, kept her mouth shut most of the time, had a chihuahua named carlos that had some kind of skin disease and was totally blind." -tom waits


"i’ve still got things inside me—sad things, happy things—that people don’t know about." -loretta lynn


"after cheesecake with all of your friends and family, who's gonna front the bill? me... say you want to take first-class trips, well i want to work those first-class hips. yes i do." -r. kelly


"i drive a rolls-royce, cause it's good for my voice." -t.rex


gotta think straight, keep a clean plate." -joanna newsom


"keep a clean nose, watch the plain clothes." -bob dylan


"my mother used to tell me about vibrations. i didn't really understand too much of what that meant when i was just a boy. to think that invisible feelings, invisible vibrations existed scared me to death." -brian wilson


"i'll be the wind, the rain and the sunset." -lou reed


"hey there, hey now, well, you can make a pacemaker blink, yeah, easy thing, make a man's heart go bibbity bom like a gentle drum: dirty ass rock and roll. -john cale


"i'm dealing in rock and roll. i'm not a bonafide human being." -phil spector


"at a certain point phil approached me with a bottle of kosher red wine in one hand and a .45 in the other, put his arm around my shoulder and shoved the revolver into my neck and said, 'leonard, i love you.' i said, 'i hope you do, phil.'" -leonard cohen


"we were having coffee or something to drink, i forget, at 2 am at the plaza hotel. phil had this long hair, down to his shoulders, he’s a very strange looking guy, it’s, well, anyway, this was before longish hair was everywhere, it goes back. i could see at this table nearby, there were two couples, i remember, they were older people, at least in the 60s, they’d whisper at each other and look at phil and whisper at each other. finally this lady, tanked, comes over to phil and says, 'alright, sonny, what’s your problem?' and he said, 'premature ejaculation, what’s yours?'" -tom wolfe


"i bite my nails and if that fails i go get myself stoned, but when i do i think of you and head myself back home" -gram parsons


woody allen's reasons to live: "i would say groucho marx, to name one thing, and willie mays, and the second movement of the jupiter symphony, and louis armstrong’s recording of potatohead blues, swedish movies, naturally. sentimental education by flaubert, marlon brando, frank sinatra, those incredible apples and pears by cézanne, the crabs at sam wo’s, tracy’s face."


"i'm going to boogie my scruples away" -lowell george


"the first time i got stoned on grass was with john paul jones of led zeppelin. we'd been talking to ramblin' jack elliott somewhere and jonesy said to me, 'come over and i'll turn you on to grass.' he had a huge room with nothing in it except this huge vast hammond organ, right next door to the police. i ate two loaves of bread. then the telephone rang. jonesy said, answer that for me will you? so i went downstairs to answer the phone and kept on walking right out into the street." -david bowie


brian eno songs that will make good book titles for my 10-volume memoir, in order: here he comes, baby's on fire, golden hours, brutal ardour, taking tiger mountain, events in dense fog, through hollow lands, some of them are old, everything merges with the night, dead finks don’t talk


ry cooder albums that every man should own: into the purple valley, boomer's story, paradise and lunch


#1 song on the white album (tie): long long long, happiness is a warm gun


"the only word is love." -john lennon


thelonious monk's middle name: sphere


"think about something else. was art tatum talented?" -charles aznavour in shoot the piano player


"really, we don't want people twiddling their goatees over our stuff" -radiohead


"i don't rap fast, i rap slow, 'cause i mean every letter in the words in the sentences of my quotes." -lil' wayne


"i love songs about horses, railroads, land, judgment day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. and mother. and god." -johnny cash


"the moon is clear, the sky is bright, i'm happy as the horse's shite." -the pogues


"i hope that you all out there, young, old, tall, short, fat or thin, quick or slow, no matter what kind or color or shape or person you are, if you like to make music, why, go ahead, don't let the microphones and loudspeakers faze you, make some yourself.” -pete seeger


"but chuck berry isn't merely the greatest of the rock and rollers, or rather, there's nothing mere about it. say rather that unless we can somehow recycle the concept of the great artist so that it supports chuck berry as well as it does marcel proust, we might as well trash it altogether." -robert christgau


mashable.com says about the spectacular: "you can expect the unexpected with this awesome gem. groovy."


the 33 1/3 book series' blog says: "whenever i start playing around on youtube i always end up watching that lady fall over while stomping grapes, so it's nice to have someone steer me in a more worthwhile direction."


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2008: j. f. m. a. m. j. j. a. s. o. n. d.


2009: j. f. m. a. m. j. j. a. s. o. n. d.


2010: j. f.


Creative Commons License

#457: prince - dirty mind (1980)

none of the smart and beautiful things robert christgau has written about popular music matches the last line of his review of prince’s second album: “mick jagger should fold up his penis and go home.” prince was a young man with a mouth made out of velvet, a nose that knew a good perfume’s top base notes, an ear for james brown, and a trench coat that looked good even when paired with a bikini and stockings (but no shirt). his mustache should be in a museum.

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#410: echo and the bunnymen - seven seas (1985)

penguin costumes, giant portraits of humphrey bogart, iffy lyrics (“stab a sorry heart/ with your favourite finger”), cardboard goldfish, a mid-80s british pop melody that’s prettier and less bombastic than u2, plus bad wigs make a good combination. robert christgau once sniffed that the most likable things about echo and the bunnymen’s singer were his crumpled shirts and skin problems, which was all wrong: it was his waistline, his accent, and the way his hair was mussed just so.

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#395: violent femmes - american music (1991)

for a band of shlubby, depressive milwaukee guys most famous for a folk-punk ditty about masturbation, the violent femmes are awfully good. not only is american music a catchy song about catchy songs, but it seamlessly and accurately condenses popular culture into proms, drugs and loneliness—plus, better yet, its video was shot by the man who made baby’s got back and love shack.

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#181: george harrison - blow away (1979)

just after lennon’s assassination, robert christgau (who writes about music the way hemingway wrote about alcoholic couples who loathed each other and went on safaris and drank gin, which is to say that christgau writes so tightly that everything you ever wanted to know about an album will be explained in three sentences or less) said in the village voice: “why is it always bobby kennedy or john lennon? why isn’t it richard nixon or paul mccartney?” he got in a lot of trouble.

if george harrison had read that, even though christgau was basically right, i’m sure he would have said, “oh guys let’s not say anything nasty, let’s go make a music video with awesome mirror video effects and a giant orange bird with funny arms, and maybe a big plastic dove too, and maybe me in a sweet suit on top of a huge dog? i have a happy melody that’ll be perfect for a huge happy dog.”

my point is that george harrison is awesome.

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what are we to think of a band whose best song is based on albert camus’s “the stranger,” a book that was holy writ for collegiate existentialists before robert smith was even born? robert christgau, writing on the cure’s debut (and killing an arab)
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neil turns into a salmon while masturbating in front of the fireplace robert christgau (reviewing neil young’s american stars ‘n’ bars)
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#14: roxy music - virginia plain (1972)

in 1972, bryan ferry got behind a microphone on top of the pops wearing a sparkly sequented blouse, backed by brian eno in leopard print and gold gloves. just like that, glam became cool.

and then 49 seconds into roxy music’s debut, the band thwacks to a halt. “baby jane’s in acapulco,” mr. ferry squeeks, “and we are flying down to rio.” (be sure to catch the little jazz-hand wiggle there.) that would be the hippest line in roxy music history, if it weren’t for: “midnight blue casino floors/ dance the cha-cha through till sunrise/ open up exclusive doors. oh wow!”

and did you know the critic robert christgau once called brian eno “a balding, long-haired eunuch lookalike”? i like when he looks up here and smiles at the saxophone/oboe player in the green alien suit. it’s so touching.

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